Things I will forever be upset about:
1. I don’t know what my Patronus is
2. I don’t know what Amortentia smells like to me
3. I don’t know what I’d see in the Mirror of Erised
4. I don’t know what my Boggart would be
5. I don’t know for sure what house I would be in
6. I don’t know the specifications of my wand are.
Nelson Mandela, Long Walk to Freedom (1995)
Scientists discover most relaxing tune ever
Sound therapists and Manchester band Marconi Union compiled the song. Scientists played it to 40 women and found it to be more effective at helping them relax than songs by Enya, Mozart and Coldplay.
Weightless works by using specific rhythms, tones, frequencies and intervals to relax the listener. A continuous rhythm of 60 BPM causes the brainwaves and heart rate to synchronise with the rhythm: a process known as ‘entrainment’. Low underlying bass tones relax the listener and a low whooshing sound with a trance-like quality takes the listener into an even deeper state of calm.
Dr David Lewis, one of the UK’s leading stress specialists said: “‘Weightless’ induced the greatest relaxation – higher than any of the other music tested. Brain imaging studies have shown that music works at a very deep level within the brain, stimulating not only those regions responsible for processing sound but also ones associated with emotions.”
The study - commissioned by bubble bath and shower gel firm Radox Spa - found the song was even more relaxing than a massage, walk or cup of tea. So relaxing is the tune, apparently, that people are being Rex advised against listening to it while driving.
The top 10 most relaxing tunes were: 1. Marconi Union - Weightless 2. Airstream - Electra 3. DJ Shah - Mellomaniac (Chill Out Mix) 4. Enya - Watermark 5. Coldplay - Strawberry Swing 6. Barcelona - Please Don’t Go 7. All Saints - Pure Shores 8. AdelevSomeone Like You 9. Mozart - Canzonetta Sull’aria 10. Cafe Del Mar - We Can Fly
my muscles stopped functioning
I was so relieved this wasn’t a trick. Very soothing.
as a Canadian i can 100% confirm this
MY MOM JUST TOLD ME TO CREMATE HER AND PUT HER ASHES IN AN HOUR GLASS SO THAT EVEN AFTER SHE’S DEAD AND GONE SHE CAN CONTINUE TELLING ME HOW MUCH TIME I’M WASTING ON THIS SITE.
What art offers is s p a c e - a certain
breathing room for the spirit.
My old student portfolio for Visual Development (Character Design) based on “Wicked”
Because I often receive questions about portfolios, I thought, well, maybe it would be helpful for some to share my own personal experience accompanied by some visuals. Namely, my own portfolio I submitted to transition from the Animation department to the Visual Development department of Disney Feature Animation.
Now one thing that I will mention here as a disclaimer, and something that will probably be reiterated through out this post is that this is only my personal experience, and there is definitely not any sort of “formula” to make a portfolio for the Disney’s Vis dev. Portfolios that look nothing like this, share no common element, is just as likely to get you into the vis dev department. The acceptance is made by a committee of people, and not just one person’s personal taste or criteria.
Way back in the summer of 2007, I was an artistic intern at Disney. (Mainly 2D character animation, but also some story and vis-dev on the side.)
I was having lunch with one of our mentors at that time, Claire Keane, in which she gave us some advice on structuring a visual development portfolio.
One of her suggestions that stuck to me was to take one story, and dedicate the entire portfolio to it, as if you were developing that into a feature film.
This idea sounded good to me, because it made sense. It’s a semi-simulation of the kind of things you would be doing as a professional artist at Disney anyway, (which gives the reviewers a much better, reliable idea of how you would perform as a contributor) but it also gives the spectator a slightly more immersive viewing experience, as they are taken through one continuous story, with characters they understand, rather than having to adjust to brand new content with the turn of each page.
The many times I have reviewed portfolios, I have also found it a slight handicap to have to ask the artist, “Now, what is this thing from?” 4 or 5 times in one portfolio.
So in 2008, while I was working on Princess and the Frog, (still as a full time student at Calarts), I started on this visual development portfolio. I chose my story to be Wicked, the musical, which I am sure many of you are familiar with.
Now one thing before I elaborate further…
If I thought sharing with you my Frozen artwork was uneasy, showing this portfolio (which is my student portfolio from many years ago)… I honestly cannot shake the embarrassment.
But, as Tarkovsky once said, artists are there to serve.. And for one thing, after years of deciding never to show this portfolio on a public platform, I came to the conclusion of this; that it was always rather difficult talking about the type of portfolio that gets you into the doors of the animation industry, and because portfolios are so visual, visual accompaniment just makes more sense.
And for another, I always liked to see other artist’s various stages of development. Obviously nothing here represents me currently, but more shows where I used to be in the past.
When I look back at this portfolio, obviously I see so many flaws in terms of draftsmanship, design choices, character choices, taste etc, and I want to fix them all. But again, the purpose of this post isn’t to show who I am as an artist right now, but to dig up my past and say “Well this is how it happened for me in the past.”
Here is part 1 of the portfolio. I know for some it may be frustrating to have this divided into 2, but the nature of tumblr posts seem to want things kept short. So I’ll try and post part 2 of the portfolio as soon as possible. I want to say within the next day or two, but there’s just never knowing with when I’ll get another free moment.
I think what is probably most important to show in your portfolio is a strong draftsmanship, a good taste in design choices, and a special intuition for characterization.(I’m speaking for my own criteria when I review portfolios, and I don’t claim to represent anyone else’s.)
As you can see I also tried to pay attention to the presentation of the portfolio, which is why I tried to design the layout of it with the theme of “drawer of a Shiz student”.
I’ll probably try to address some of those things that I mentioned in future posts perhaps.
I hope this old student portfolio of mine gave you a better idea on who to shape your own. One thing I would recommend is to not copy exactly the method I used to form a portfolio, but see it more as a solution that will hopefully help you come up with your own solution on how to structure a portfolio.
Next up is Part 2, with some development designs of Fiyero, the Wizard, the Flying monkeys etc
1. Stop faking your fucking orgasms. Society already tells young men that they run the fucking universe - if they can’t turn your cunt into a shooting star then for god’s sake, let them know about it.
2. Once you’ve stopped faking your fucking orgasms, use this newfound honesty throughout the rest of your life - stop ordering coffee you don’t actually like; stop sitting at a desk and allowing people to treat you like shit in the hopes that a meek attitude will earn you a promotion (it won’t); stop telling people they can finish your food when you’re not actually done yet. These may seem petty, but they add up, just like every orgasm you didn’t actually get to have.
3. If you wanna dance all night, dance all fucking night. Dance all night even if you have work in the morning. The worst that will happen is you’ll drink RedBull all day and look like a zombie - pass it off as a head cold to the real zombies you work with and flick through the embarrassing photos you’re being tagged in as you pretend to take a shit for some peace and quiet. I promise, you’ll remember dancing all night in ten years, not the suspicious way your boss looked at you that morning.
4. If your ass looks big in that, that’s a good thing.
5. You will never be as young as you are this second. Embrace it.
6. Embrace the fact that you’re going to get older. Ask your boyfriend if he will still love you when you’re seventy and your tits are down to your knees. Look forward to this time - seventy year old women are allowed to do pretty much whatever they want, and no-one can stop them. You can carry candy in your bag and not share it with a single soul. You can stay home all day and cross-stitch expletives onto handkerchiefs for your grandchildren and slip them under the table out of sight of the people you raised. You can drink whisky at 10am. Every phase of your life is going to be amazing for different reasons. Embrace that.
7. A lot of people will pretend to love Bukowski. Don’t pretend to love Bukowski if you don’t love Bukowski. It’s overplayed and no-one will mind if you actually like Virginia Andrews instead - the people who do mind are boring.
Some more little life lessons, by Daisy Lola (via masturbationdestination)